Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.

Built on Jean Paul Gaultier’s heritage, the Gaultier family was designed as an extention of the historical Jean Paul Gaultier typographic palette. Making a great use of Lettraset in the 80s Jean Paul Gaultier Typographic identity grew organicly over time but was never clearly defined nor limited by any guideline. Over time a clear identity appeared. Loud and unexpected, disregarding the baseline and other typographic conventions, the Gaultier letters make an extensive use of compressed typefaces such as Impact or Compacta, streching the typography in every direction to feel up the space and be as loud as possible.